Creative disorder or how to embrace your messy desk (or bench)

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I am the proud owner of a messy desk - actually two of them. One at my day job and one in my studio at home. I have to say that the office one does not nearly look as exciting with all the paper work on it than my jewelry bench covered with tools and half finished rings.

So this is my desk at  my corporate architecture job. The idea of a paperless office seems to be far, far away.

"An anti-anticlutter movement is afoot, one that says yes to mess and urges you to embrace your disorder. Studies are piling up that show that messy desks are the vivid signatures of people with creative, limber minds (who reap higher salaries than those with neat “office landscapes”) and that messy closet owners are probably better parents and nicer and cooler than their tidier counterparts. It’s a movement that confirms what you have known, deep down, all along: really neat people are not avatars of the good life; they are humorless and inflexible prigs, and have way too much time on their hands." www.nytimes.com
With that I am proudly saying yes to my cluttered mess and even show you some pictures of it.


This is a panorama of my studio. The work bench for metal work is on the left next to the window and on the right is the wax working set up and computer station.




I heard that people with messy desks may actually be less prone to procrastination. That's because tools are all in front of you, not filed away in a filing cabinet where they'll be easy to forget. Your desk may be messy, but at least you can see at a glance what needs to get done.
It takes time to organize. Some experts have suggested that the time it takes you to organize your desk can be more productively spent doing your job-and that organization doesn't save you a large amount of time to begin with. Disorganized people like me often claim that they know where everything is.


I actually do have some organization behind this mess, believe it or not.









Next to the metal bench is the soldering station with pickle pot in back, various fluxes , coal soldering blocks and third hand.




And right underneath in the file cabinet all tools for soldering.

The bigger torch I keep outside in the laundry shack, since I am always worried that there is a gas leak  and I would kill my dogs in the house. When I solder I keep the sliding door open for good ventilation.
















The next drawer has finishing supplies: sanding paper and polishing compounds. I have to keep those locked away from the dogs, they have a sweet tooth for this toxic compound.












That is the drawer with the hammers and dusk mask. My dog Pele always has to check if he can "borrow" my rawhide hammer for a little chewing session. So this drawer should better be locked too.

















Say hello to my two shop apprentices: Pele (lying on floor) and Lena (looking for some trouble). They are good to keep around for the occasional sweeping of the floors. When I am not at home the studio space is off limit for them.
















Drawer with finishing tools for the flex shaft.  Those nail files are really great for sanding new castings.















My most used finishing and polishing tools I keep right on the table. Trying to put them neatly back in the drum would just be a waste of time.


Drum with not so often used finishing tools. In front there is a box with half finished rings which still need to get the stones set. I am always working on multiple rings at the same time. This allows me to keep working when one of the steps in the process requires to either put the piece down for a while to cool from the polishing, or it needs to go in the tumbler for a while or needs to be soldered and stay in the pickle for some time. I also get bored with some rings really quickly so this keeps me engaged, because I can switch between different designs. It's a bit of a bad thing when I really need to finish one order but rather want to continue working on a new design. On the left I keep a couple designs where I hit a dead end. Either I screwed it up, lost interest or they are bad castings and need to go in the scrap bin for precious metal recycling.




Over the wax table is a black board with current orders written on it. I typically have about 5 orders at any given time. It takes me 2 to 3 weeks to finish a typical order. Once it comes in, I mark on the board the customer name, ring name, size, date of order and where it is in the process. Once I made a max model, I will bring it to my local casting place. I typically get it back in 7 to 10 days. After that I sand, tumble, polish and set the stone. If I get more orders that I can put on the board, I create a quick spread sheet with all the info on it.





My messy wax table with ton's of wax shavings. In spring I decided it was time for a cleaning and totally wiped off the entire table. All tools where in their drawers, no wax shavings on the table, gem stones neatly packed away... After that I could start with any new designs for a week or so. It felt like having a writers block. The table was so clean I did not know how where to start.  After I finally got some orders and was forced to start, the table was messy again in one minute and the creative juices were flowing. Since then I keep the table in a state of what I would call the "just got up-stage". Everything is right there, I just need to plop down in the chair and start right away. No putting out tools, or finding the right wax type. This is very efficient for me, since I sometimes only have 2 hours at night to work on my jewelry.









My favorite tool: the electric wax pen. And the newest addition to the tool family is the magnetic tumbler. It saves so much time in pre-finishing castings. In the bottle is a wax polisher.
















Once rings are finished they go to my in-house photo studio which I put up on my dining table when needed. A light tent and tripod is a must. My camera is a Nikon D50, which I put on macro setting. All rings are photographed on black back painted glass with a black velvet background.







The photoshop work and listing to Etsy and my web site is all done on my laptop on my dining table. I hate to sit on the PC in the studio. Working on good photos sometimes takes as long as actually making a ring. Something that does not really reflect in my prices for some one-of-a-kind pieces.  I only make money with rings I can reproduce when I can just use the same photos again and re-list. Unfortunately I really love making one-of-a-kind rings.












On sunny California weekends I move the office to my garden to catch some sun rays.











BTW: the clutter looks so much cooler if you use a hip Iphone photo app (Hipstamatic). Pictures from my Nikon SLR with its sharpness and true colors would just be too scary. 

"The best part about the messy desk myth is that it allows many of us to proudly view ourselves as creative geniuses just waiting to be discovered." (muse.tau.ac.il)
So if you embrace your messy desk, feel free to share your story and pictures.

Bound Magazine Arrived

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This week the paper copy of Bound Magazine finally arrived from Australia.


It is so much better to see the page in the the real print than just the PDF.



And yes, my bench is pretty messy right now. I am working on way to many rings at the moment and really need a spring cleaning.

See also this posting for more info:


Need Some Sunshine?

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These last couple days the weather in Los Angeles was strange. It's cloudy, overcast and even some drizzle. Getting up in the morning was really hard. So I decided to bring a bit of my own sunshine into my day. I used  the first ring that I designed for the Alien line for my sunshine experiment. It's a ring called Lemon Babies.


It has two yellow faceted Citrine stones of different size sitting really high in these organic shaped sterling silver settings. I had this ring for a while. It got a lot of attention at shows and ton's of hearts on Etsy. But so far it hasn't found a new home yet. So I decided to give it a make-over and plate the sterling silver in 18kt gold.

The gold now makes it almost glowing like the sun on a clear summer day. It's a sparkling golden sculpture. Whenever i look at it I feel I need to put some sunglasses on. Well, almost ;-))


Get your own carry-on sunshine!

A New Lodolite Quartz Ring

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This bold cocktail ring features a large Lodolite Quartz gem stone. It took me a while to get good photos for this ring. I had to do two photo shoots. But finally it worked. 




The stone is held securely by six prongs and the ring has a polished finish. 
This is truly a one of a kind piece.





About the stone:
Lodolite Quartz (Lodalite) is a type of included quartz crystal with inclusions of many possible colors and types, often having the look of gardens, landscapes, or underwater scenes. Thus, lodolite is often called garden quartz, landscape quartz, or scenic quartz. One of the most common metaphysical uses of lodolite is to bring energies to effect manifestation of one's desires. This particular stone reminds me of these mosses or algeas that I have seen on rocks in the Mojave Dessert. 



Photo of desert rock.










Feature in a magazine

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Monday night I finally got the long awaited email from the Fashion Editor of Avalon Media - Publisher of Australian LOTL and BOUND Magazine letting me know that I was featured in their last issue of BOUND. A little dance around the dining table followed right after that ;-D. I was so happy to see a whole page dedicated to my jewelry.


They had contacted me back in January via Etsy and requested some high resolution photos of some of my rings. It took a while to finally get them published and I am so happy to see how it turned out. Can't wait to get my hands on an actual copy of the magazine. Apparently it's already in the mail.






"BOUND Magazine is the world's first international magazine for gay women and women with a connection to the gay community available through all news agencies from 12th Nov 09 for $7.95. The premium publication will be an innovative lifestyle monthly with content drawn from around the globe. With the tag line "Different culture, same lifestyle", BOUND will target the discerning female reader who has broad horizons regarding lifestyle, health, fashion, travel and culture. Inspired by the success of Sex and the City and The L Word, BOUND acknowledges and aims to please the growing sophistication of media-savvy women."

Custom Tanzanite Ring

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Sometimes I get approached to work on commissions, which is a very rewarding and enjoyable experience for me and I hope, for the person who commissions the piece. It results in jewelry that is meaningful to the owner because it was designed especially for them, with with their input. Commissions usually require a bit more time involvement for both sides. For the customer because he has to approach me with an general idea and give feedback. For me there is more communication involved and sometimes even multiple design options to develop. If this is a totally new design, I present the customer design choices and then proceed with their favorite picks.


In January I was approached by Elizabeth who wanted to have a ring designed for a stunning trillion cut Tanzanite stone she owned. She had seen my Ice Tetra ring (below) and wanted something similar for her ring. 


Her stone was 7mm and a bit smaller than the 10mm Topaz used in the Ice Tetra Ring. I was very exited to work with a Tanzanite again. 




Tanzanite is a rare gem. It is found mostly in the foothills of Mount Kilimanjaro. The mineral is named after Tanzania, the country where it was discovered in 1967. Its blue, surrounded by a fine hint of purple, is a wonderful colour. The stone is particularly highly prized because it is found in only one place in the whole world.  Nearly all tanzanite has been heat treated to produce the striking violet-blue color. In its natural rough state the gem is actually of brownish-yellow color.
Due to its minor hardness (6.5-7 on Mohs scale) tanzanite is not especially durable. Therefore it should be worn with care, never put it in a ultrasonic cleaner.


Once I saw the actual stone it was even more into this project, what a beauty! To show off the wonderful color we decided to change the design a bit up and lowered two sides of the setting. This allowed more light to enter the stone from multiple angles, bringing out the amazing hues of the stone. I modeled the ring in wax. My wax modeling technique is a mix of carving and building up wax to archive the desired shape. Photos were posted to my flickr account for the customer to review and comment.



After that the ring went off to my caster to be made into a sterling silver model. Once it came back a week later I cleaned up the ring, and prepared the setting. Here I started to get a bit scared. Knowing how expensive these stones are, I was worried I would break it during the setting process. Fortunately it does not happen often that I break a stone - more often I just loose a tiny stone when it falls on the floor and is never seen again-  but there is always a possibility for damaging a stone. Even diamonds can be damaged while setting them.

To set stones I usually use a hammer hand set. This is a specialty piece of equipment that converts the rotary motion of a flexible shaft machine to a back and forth stroke. It looks a bit like a dentist drill. While I hold the ring in one hand and press the stone down into the setting with the tip of my finger, I gently move the hammer piece slowly around metal  along the stone setting. With that the metal gets pushed towards the stone, over its girdle and eventually holds the stone in place. This can take anywhere from a couple minutes up to an hour depending on the thickness of the metal that needs to be moved and the complexity of the setting. If anytime during this process I do not pay full attention and slip with the hammer, the stone can get chipped. To make it short, I did not break the stone and finished the hammering with success. The hammer motion will leave some marks on the metal around the setting. This needs to get removed by filing and smoothing the surface. Usually I use silicone wheels on my flex shaft for that. The silicone will not leave any marks on the stone and just removes marks on the metal. After that the ring gets its final polish and gets cleaned.

Voila, The ring is ready to  find it's new home.




I loved how the ring came out. Elizabeth send me this note after she got it in her hands: "I just got my ring and I am enthralled. It is absolutely beautiful and very unique.  I love your work, it is like sculpture.  Thank you so much for making me such a beautiful ring."




Nothing makes me happier than a happy customer.





ETA: I do not any longer accept customer supplied gem stones for custom projects due to liability reasons. Thanks for understanding.



"Three of us" ring, Happy Mother's Day!

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This ring was created to celebrate the addition of a baby girl to the family. 3 little coffee diamonds ranging in color from caramel, over reddish brown to dark roast symbolize all 3 family members. The diamonds are 1.5 mm to 2.5 mm are grouped as accents floating on a wave, the feeling is one of connectivity. The sterling silver band has a fluid texture.




1. See larger image, 2. See larger image, 3. See larger image


Happy Mother's Day!



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